Helen's Closet Orchard dress - Free pattern review

 I've been thinking of finally making the Sadie slip dress, so naturally I resisted (I have a whole plan including double layers of silk charmeuse, will for sure involve swearing.) and started looking for other slip dress patterns. I was eyeing up the Saltwater slip, but it required actually paying money, and to a company I have really been grumpy with lately for their lackadaisical but over-advertised offerings in the form of the Ilford and Arlo.  Thus I came across this free download!  Wahoo!

The sizing chart of Helen's Closet doesn't match me perfectly. 33-26-35 is the size 4, good in the chest but a bit concerning at the hips, and I wanted to make sure there wouldn't be pooling in my back from my swayback.  I have decided in general to ignore the high bust measure, or to use the larger of the two when in doubt, since a high bust measure is useless on those with back muscles.  The waist measure is not as important, there's quite a bit of ease, but I went up to a size 6 below the waist.  I also cut the back in two pieces because I was too lazy to consider arranging my (tiny piece of) fabric with two folds.  In doing that I added 1" to the centre of the back.  There's enough bias tape extra that this didn't change how much bias tape I needed to cut.  Probably I could have done only one of these adjustments, as it has plenty of easy and is very swooshy. 

The fabric is a skimpy metre of See you at 6 viscose, nice and weighty with an interestingly kaleidoscopic fine print.  It's very opaque and the weight means it drapes perfectly for this style.  I used the shortest dress cut line and I shortened the dress at the lines by 1".    

I didn't have any problems with the bias taping, and this pattern has you put interfacing at the top of the strap bias tape, which is genius - and very good for a free pattern!  I can definitely feel the difference in how substantial the straps are.  The pattern comes with pockets too.  I stuck the straps on with pins and then put the dress on so I could adjust the straps to fit me. I recommend doing this, especially if you are like me and dress straps are always too long. 

After making it I was a bit meh, didn't look like much, to be honest. 

 

Then I got photos and I was wowed actually by how great the fit is. It's precise at the bust (that extra inch in the back was smart). The pockets are too low - maybe they weren't adjusted when I shortened the dress? Anyway they need to be higher by about 1-2".  I can still access them with straight arms.  The length is perfect.  It's very spacious, a good summer item, will see how often I turn to it.  I'd probably make a straight size 4 if I did this again rather than widening below the hips. Obvs the pockets need to come up. Otherwise I really like this shape!  Might even be fun to turn it on the bias and slim it down a bit below the bust to make a linen version. 

Peppermint mag x Elbe Textiles Bardon no. 2

 All the summer dresses were successes this year (Bardon, Summer fling, and Marcel) and I wanted to make a second version of each of them. I am, however, running out of summer too fast (it's over!)  I'm slowly relinquishing my plans to next year when I get excited about dresses again, but I managed to sneak this one in before getting distracted making sweatshirts and loungepants.  

I adore my first Bardon though it is somewhat oversized.  I was inspired to size down and make another one, seemed like nothing could go wrong.  I had made size C because of the problem of the high bust.  You're advised to use the high bust measurement instead of the bust measurement to choose your size.  Wellllll that never works for me, my high bust consists of loads of feminine muscles, so it's the same as my bust, though distributed differently.  

So this time, size B.  Same shortening: 1" off the bodice, 1" off first tier, and 2" hem.  Again I lined the bodice rather than using bias tape. The fabric is viscose and is almost certainly Dolce & Gabbana. (I bought it from an Etsy store in Ukraine, so you never know, but the quality of the print was convincing enough.)  Though in my head I often conflate viscose and rayon, the difference between my two fabrics was striking. The black rayon star print fabric is drapey and cool with a pretty tight weave, holds its shape, and has a very smooth face. This pomegranate viscose has a soft, nubbly face, a loose weave, and behaves horribly.  It was difficult to cut, and shredded fast.  As I discovered later it also stretches!

I didn't have enough to line the bodice with the same fabric, for better or worse. I used a lightweight silk cotton.  I was really happy that this adds some structure - but once the dress was done I realised how much the bodice had stretched out, as the lining was now something like 2" narrower than the dress.  I spent about a day panicking about whether I'd be able to hand sew it down.  Luckily I had been planning to do it by hand anyway, and I learnt a big lesson as I did which is that hand sewing can fix a lot.  The stitches kind of just gather the seam allowance of the bodice where I united them, meaning that there are a few more gaping spots than I would usually have, but it supports the bodice a lot and I think even with those inner gaps, it's going to be quite secure. If I'd been able to use the same fabric I would have had the trade off of less structure support, but an easier time getting the pieces to match up in that final moment. 

 

Overall the dress feels very long compared to the other one - the bodice seems long, the pockets seem low - and it may be a bit low because of the viscose stretching, but when I put them on one after the other, it is definitely smaller than my black dress.  Maybe the black one feels smaller than it is because it's oversized and hangs away from my body, whereas this one really is smaller and flows closer to me.

Though I suspected it would settle unevenly I didn't hang the dress overnight before hemming. Live on the wild side!

I'm happy about this dress...with caveats.  As an end of summer item I hope I do have chances to wear it before it's too cold.  I kind of hope it shrinks a bit in the wash but I also have the sense that it's a very fragile dress that won't last long (the black version felt like a workhorse wardrobe item, indestructible, machine washable, etc).  I was really committed to using this fabric for this dress and now I wonder what might have caused me less heartache with the fabric stretching out - I think I'll always stay stitch the bottom of my bodices from now on at least.  I can't think of anything else I would have wanted this fabric for, but it did make me think about dresses with less weight to them.  

The day I did all the hand sewing, the weather got hot and sunny and I wore it all day - I think it's also hard to love two versions of one pattern - you have to let them be different items that happen to be sort of similar - they are never exactly the same!  But I started to love this one for its own strengths and I'm really super glad I sized down - the bodice fit is really spot on.

Wide strap maxi dress: Elbe Textiles x Peppermint mag

I find it funny that all designers are making similar patterns at the same time.  This season it's maxi dresses with the same kind of bodice band...I've seen and made a few!

I made size C, which is my usual size in Elbe Textiles.

I also paid attention to 2 facts: this is sized for a person 5'7" tall, AND the creative muse behind Elbe textiles is all about shapeless sacks.  Thus, I removed 4 inches from this pattern: 1 at the bodice, 2 below the bodice, and 1 from near the hem.  That seems to have been about right. 

The fabric is Dolce & Gabbana copycat fabric.  It's poplin weight cotton.  I actually have the D&G original and it's an interesting comparison in terms of quality, both the design print and the fabric are obviously nicer coming from the designer (and the price tag matches, whoa, expensive fabric!)  I did NOT jump to make a new pattern out of the fanciest of fabrics, though I was a wee bit tempted.  The lighter weight, lawn-like feel of the D&G fabric would have given the dress a bit better movement, but the side slits do that anyway.

The instructions are overly wordy, but I suppose too many words better than too few.  Also, it follows a recent trend which irritates me no end: instead of just saying: French the seams - it builds that into the instructions.  I much prefer the instructions to suggest that you french the seams, and add a little side note on how to do so, for those who need it.  This is naturally because lately I'm not going to.  My overlocker wins!

I dragged this out over a few days in between other things - I'm trying to binge sew through a huge project pile before the new year, in the hopes that if I can clean up my queue, I might stop piling up projects to do...I think I'm much happier if I can spontaneously sew a thing, the end.  And I want more time for knitting.

I really enjoyed how you do the hems quite early on, so once you've finished the bodice band, you're done!  It's an easy sew.  However, I made one huge blooper - I assumed I'd need to shorten the straps by a lot.  I tried the dress on, and shortened them accordingly.  I noticed that they seemed to be shorter when I gathered the dress, trying to picture what the elastic would do...

I'm not entirely sure why, but once the elastic is in, the straps seem much shorter. I guess you lose 1.5 cm when you sew them in.  So in the end my straps are way too short and I had cut the ends off before I figured this out.  There's no going back (at least not very easily)! The bust darts are about 2 inches too high.  I also noticed the right side is worse.

The good news - I don't think anyone but me will notice. But I have to wear the dress around to get a sense for how much *I* will notice.  If I dug the end out of the seam allowance the most I gain is a cm, but it might be worth it. 

Anyway, I love the pockets and overall this was a great fun sew.  I'm really pleased that I found something to do with my lemon fabric.

Atelier Vicolo no. 6 All Together pattern

This exciting pattern popped up on my radar sometime early this year.  I thought it might be just the right amount of gathering.  Plus a free dress pattern! Plus by an Italian sewist!  How exciting.

The pattern is here. 
There is a video tutorial but no instructions.
There are seam allowances included, thank god.  Things never go well for me when there are not seam allowances already included.

I cut an Italian size 40, which is about usual for me.
My exciting quilting cotton is an aboriginal print! I got it at the quilting shop in Sedona after seeing online that they stock it.  I have a few more which you will be seeing soon.  The ladies were a bit befuddled by an excited garment sewist in their quilting shop but they were very gracious as I pulled out every single bolt and strew them across the floor of the shop to help make my decision.

The only mess I made was that I decided not to add sleeves, since cap sleeves have a 2% chance of not looking ridiculous on me and I didn't want to mess this one up.  But I didn't really plan ahead with that and I sewed the neck and the sides of the straps with the lining before thinking about how I needed to burrito in order to get a good clean finish.  So I had to use the terrible Vogue method of sticking one strap back through it's front and sewing that tiny tube together.  This method is bad because it's hard to get a good finish on it, but I guess overall it's as effective as the burrito method.  I did some understitching on the neck but not on the sleeves (laziness, and so awkward).

My zip went in ok more or less.  I'm using a borrowed Janome now (hence no more complaints about the borrowed Singer) and I noticed something: the invizible zip foot on the Janome doesn't have a centered needle.  So on the right side of the zip, it eats the invisible zip into the stitches, and on the left side, it's not actually invisible.  In fact, my Janome in New Zealand did the same thing.  Food for thought.

The lining is just for the bodice, and I thought about how to tack it down.  The only place it can be attached at the waist is at the gathered patches, so I pinned it down to figure out whether I could stitch in the ditch, but I haven't done it yet.  It would be tricky to make an entire lining for this dress without copying a bunch of pattern pieces to get rid of the gathers, although certainly possible.

Anyway I like my dress!  It's sort of a muslin as I didn't finish the seams of the skirt, but I'm moving really soon so it's part of my crazy rush to get things done.  I think the aboriginal design is a bit too busy on this - I would use a solid color on the side panels next time and leave the center to be the wild part.